Song(s) of the day 7/17/14

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Ig’nant
M.A.T.H.
By Al Shid

http://www68.zippyshare.com/v/91927289/file.html

There was a long time in the 90’s, into the the early 2000’s where I bought tons of Vinyl. Not referring to stuff I would sample but things like Indie rap 12″ records and Lp’s. The thing about that era, for me, is that it’s both nostalgic and sometimes embarrassing. There’s so much music from that era that I loved that, for some reason or another, never aged particularly well. Underground rap is funny like that. I always contend it has to do with rapping styles of that era. People were going out of their way to sound different and, in order to do so, often found them selves out on a creative limb. While it paid off for some, others didn’t fare as well. For that reason, styles came and went. As did artists. Every now and then, though, a dude would come along that seemed timeless. Typically, it would be a more traditional rapper who embraced the underground rap aesthetic. This would sometimes be problematic for a few reasons
1)There was SO much music coming out back then, people often got lost in shuffle. Great rappers would just flare out for no real reason , other than over population in the record racks.
2)Because being weird was the thing back then, traditional guys would often get pushed to the side. In reality, these were guys who had potential for broader appeal but were simply in the wrong place at the wrong time.

I say all that, to intro these two songs by rapper Al Shid. He was a protege of J-Zone (Zone did the beats on both these songs. Let’s never forget how dope his shit was during that era). Shid was rude, direct and clever. He put out two 12″ records in 2002. These two songs were the jewels of the bunch. I distinctly recall walking into Fat beats and Breezly Bruin was working there at the time. We’re were friendly and having a casual chat when he was like “Yo, have you peeped this new Al Shid joint!?!? He’s a beast.” Honestly , I bought it off the strength of that (and J-zone) and did not regret my choice at all.
Bruin wasn’t lying.
Sadly, I don’t think his records ever took off like they should of. I’d chalk it up entirely to timing. Underground rap was on some postive, head wrap shit back then and I’d imagine a song about “Money and than hoes” didn’t sit well with a lot of people. It’s too bad though…cause I loved these songs…and I still love them today. So, here ya go. Enjoy the glory of Al Shid.

Song of the day 6/6/14


Bless ya life By KGB
http://www.sendspace.com/file/ipkenj
It’s been a long time since I did one of these. This actually might be a song I’ve given away here before but, if I did, it was a long time ago so don’t sweat it, guys.
Anyway, I was walking home last night, listening to my Ipod and this song popped on. Sometimes you will forget a song existed until you hear it again but, when you do, it transports you to a very particular time or moment. As soon at the opening sample plucked away, my mind immediately jumped to being a year out of high school, listening to the Stretch Armstrong and Bobitto radio show one late thursday night. This song came on and I was immediately obsessed with it. Thing is, back then, there was no way to find out what a songs name was or who the artist was unless you were told. Even after hearing their names, it was still a bit of guess work. I recall once hearing a demo from a group I understood to be called “Squire and Pony D”, later I’d find out they were Siah and yeshua DaPoEd (these guys). I had tapes recorded off the radio full of made up names that , to this day, I truly don’t know how correct they are. But I digress.
With this song, there was no announcement as to who made it so , in a time before google, I had to do what we did. Go to local record stores and describe the the song. This was always humiliating cause, well, I’d basically be rapping in a record store to a clerk who didn’t care.

After months of searching , I had given up. I assumed this was just a demo or a super small release that only 5 people owned. Then, one day, I’m in this record store near my house that was more known for dance and reggae music.I wasn’t a fan of either of those genre’s but they would often get early releases of albums on cassette (I got a copy of “Illmatic” there 5 months before it was released publicly). So, I’m sorta casually flipping through new releases and I see it. A song called “Bless ya life”. The group name “KGB” made me suspect that this was just some weirdo german house music. I asked the dude at the store to pay it and, blam, there it was. I bought it, took it home, and made love to it.

I tell that long winded story just to give some perspective of how things were back then. You had to often be a patient detective to find new music. While nowadays, anyone can find anything via Shazam or google, it took a certain type of obsessive person to thrive in being a hardcore music fan. So, to those people who remember that time, I say Bless ya life. While it’s far easier now and everything is accessible, music will never be as satisfying as it was when you had to actually work to get it.

Song of the day 4/9/14

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Queens Cat By Shirt

I’ve been a big fan of Shirt since I first heard him a while back. His new album has been out for a minute but he released a weird video to one of my favorite songs from it so I figure, hey, what the fuck…let’s shine the light on him one more time. This is one of the few times you will ever see me support anything cat related. So that in itself is a pretty strong statement.

If you’d like to own this song, you can download his entire album for free here:
https://soundcloud.com/shirt/rap-album
It’s a banger and I highly recommend it. The song “Either you with me or with god” in particular has been my shit since it dropped so go download that shit. Why not? You hate free things? Don’t be silly.

Well, this Vince Staples album is really good.

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I don’t typically do this but , fuck it.
Normally, I would give you guys some sort of poll about new music. Sometimes I come across an album that is so clearly a “yay”, in my eyes, that I don’t wanna give you people a chance to ruin that for me. Fact of the matter is, I realize what kind of rap music the typical Phat friend reader is into. It’s intelligent. It’s a little abstract. It’s also generally very white person friendly. Meaning , topically, it’s not about street shit and if the rapper has any sort of regional accent, it’s a problem. Judging from past “Yay or Nay” columns the amount of times some of you recoil upon hearing anyone rapping about guns or drugs (regardless of context or creativity), it’s as if you’re your own parents. That’s fine. We like what we like. I’ve been there. I used to curse Puffy and Mase in the late 90’s as “not real” hip hop. I know how it feels. However, good rap is good rap. And, let’s not forget, this is rap music. Not folk rock. At least that’s what I’m trying to show you guys every time I post a new artist with a street edge.
Enter Vince Staples.
He’s Odd Future Affiliated and his new mixtape/album “Shyne Goldchain II” just dropped.
Vince is a dude I honestly didn’t pay much attention to until recently. Prior to his murderous verse on Earl’s album , where he easily stole the show from Earl (a highly talented rapper himself), he had done a few little things here and there. Honestly, I couldn’t get past the production in most cases so I kinda let it just fly by me. This album though? He got some beats. Or I should say, he found the sound that works for him.
As a rapper, he reminds me a little of Snoop dogg in his laid back demeanor but way more serious. He also has shades of another of my favorite under rated rappers Young Bleed. With both comparisons, I’m seeing a somewhat mellow killer. While I could easily see people listening to this ,in passing, and writing him off as just another rapper talking about the same street shit, those people would be wrong. Yes, he is just another rapper and he does talk about street shit but , with rapping, it’s all about HOW you talk shit. He’s got style, presence ,a great voice and an original way of putting familiar words together. Look at the Clipse and how they made selling coke in rap an art form.
The point of all this is, hey, give it a chance ,you uptight and short sighted rap nerds. It’s funny to think that you can expand your horizons by actually giving something you might deem “beneath you” a chance. Consider this…you know how you feel about the rap music you love? Like you think if that guy you know who only likes Rick Ross and drake would just give it a chance , he’d finally see why you hold it in such high regard? It works both ways. Grey area is everywhere.
So, here’s a link to Vince Staple’s New mixtape FREE DOWNLOAD!
http://www.sendspace.com/file/14u52y

Here are some clips from the album:


For a stream of the whole album:
https://soundcloud.com/blacksmith-a-g/sets/shyne-coldchain-vol-2

Song of the day: 3/7/14

Godfather Don
7 Degrees of Elevation by Godfather Don
http://www40.zippyshare.com/v/94165318/file.html
(the big orange “Download” button is what you should press to download the song)

Nowadays, former rap nerds tend to hide their pasts. The word “backpacker” gets thrown around like a badge of shame for kids everywhere who were just that: kids. In the mid/late 90’s, the indie rap craze took off and that eventually led to the indie rap explosion of the early 2000’s , which led to it’s inevitable backlash a few years later. That’s how music works. To this day, I can guarantee that whatever genre is popular now (is it Trap? I have no clue), it will not only be scoffed at in 3 years but the people who used to champion it will play down their former love of it immensely when it comes up in conversations. Like I said, that’s how music works. I’m not pointing fingers. I’ve been there. There is so much old rap I used to worship that , if I hear now, I get embarrassed I ever knew the words to it. However, with all that said, there are always gems within each genre that never sour.
If you’re a indie rap aficionado, you’re aware of Godfather Don. He’s one of those super underground legends that just never seemed to get his shit together at the right time. In 1991, he released an album called “Hazardous” that, let’s be honest, wasn’t very good. Sure, revisionist rap fans will speak a different story cause , to them, if it’s old and rare, it’s automatically a jewel. But, fuck that. I was around when it dropped, I bought it and I bumped it. It was pretty wack. That said, you could see the talent.

A few years later, he re-emerged but this time behind the boards. He made a bunch of awesome beats on the Ultramagnetic Mc’s album “The Four horsemen” and even kicked a rhyme on there that showed some improvement.

Around that time, he started popping up regularly on the stretch and Bobbito radio show.

Not just as a guest but Bobbito would play his demo tracks with some regularity. It was then that a young me got obsessed with Godfather Don. The First track I had heard was called “Slave of NY”. It was clear he had evolved as an artist and found his voice.

Not only that, but his beats…man…his fucking beats were insane. Every week or two, Bobbito would play another demo song and I’d feverishly rush to record it off the radio. The song above, “7 Degrees of Elevation” , was my all time favorite. With it’s hazy, drugged out jazz loop over a classic drum break, Don just goes off. He certainly was a rapper who would often put the flow ahead of his lyrics (at least in a “the flow sounds tight but do the words mean anything?” kinda way) but his word association flow and run on sentences worked for me. To this day, I can’t say many people have or can rap like Don was doing in the mid-90’s.
While the songs made at that time were not available to anyone who didn’t record radio shows, he did release an amazing record with Kool Keith under the group name “The Cenobites”. This Ep is pretty much a classic to anyone who was listening to that kinda rap during that time.


After those demo’s and the Cenobites, Don had a decent run of 12” records on Hydra Records and even a full length (which, in my opinion, was not his best work)

Luckily for us nerds out there, the bulk of those old demo songs got released a decade or so later.
If you’re into this song I posted, I’d suggest tracking down his compilation “The 90’s sessions” cause it’s got tons of great stuff on it.
So, yeah, enjoy these songs but , most of all, embrace your rap nerd side. There’s no shame in it. Trust me, it could have been way worse. Imagine how Hanson fans feel?

Song of the day 8/23/12

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Juggaknots: In control

Well, I had no idea that any gave a shit about “song of the day” until I asked. So, good news! I’ll be doing these again every now and then.

So, this song popped on my radar kinda late last night. If you’re familiar with Breeze Bruin and the Juggaknots, then I’d imagine you’re as hyped as I am that this leaked. Breeze is most likely your favorite underground rappers favorite rapper. There’s a reason for that. He’s also a dude that, much like Despot and Jay Electronica, people have been begging for a release from (Pause) for as long as I can remember.
This is a response to Kendrick Lamar’s verse that everyone shit their pants over. That verse was cool but also, who gives a shit? No one verse should ever get that much attention. This verse, however, is the level headed words from a dude who’s been ripping better verses than that KL verse since the mid 90’s. Just saying.
Because this is only streaming, I added a download extra of an older joint.
Enjoy!

Generally: Juggaknots
http://www38.zippyshare.com/v/92020052/file.html

Song of the day 5/16/13

T.Shirt_Andy_J_Scott_PS-6-2
I never knew Money By T.Shirt
http://www.divshare.com/download/24112519-c98

I’m not even gonna lie to you. I’m hungover like a motherfucker today. Normally I’d be scouring the internet for something for you to vote “Yay or Nay” on but I simply don’t have it in me today. So, as an alternative, I figured I’d bring back the good old “Song of the day”. Why not, right?
Today’s entry is by Ny Rapper T.Shirt. I did a “Yay or Nay” with him a while back and he got a mixed response but, truth be told, he’s probably my favorite “new” artist I’ve heard in a minute. He’s got a bunch of free mixtapes available so , if you like this, I’d say you should go check the rest of his stuff out.
http://tshirt.bandcamp.com/

Okay…So, now that that’s done, I’m gonna get back in bed and sit in the dark for few hours.

Song of the day 2/22/13

Chi+Ali+ChiAli
Funky Lemonade Remix By Chi Ali
http://www.divshare.com/download/23767849-603

I can imagine a day will come when someone might make a documentary about Chi Ali. Not cause of his music so much as the crazy turn his life took that surprised everyone. He was one of the first “kid rappers” that older rappers co-signed, who seemed like he might actually grow up to become decent. Much like groups like Illegal and Da Youngsta’s, Chi Ali came about in the early 90’s when it seemed like everyone was scrambling to find the first great kid MC. Sure, LL cool J had already killed it as a 14 year old in the mid 80’s but I think people were angling more toward a high voiced kid, where as Cool J was more of a man child.
Ali was first heard on the posse cut “Pass the 40” off the debut album by Black Sheep

Ali definitely stood out as, for one, his voice was so high it sounded like a dog whistle. But, more importantly, he held is own on a track with adults as well as craved out a niche of a child rapping who wasn’t on some bubble gum shit. Sure, he may or may not have had underarm hair yet but he was still rapping about bagging hoes. As a person who was the same age as him at the time. I sure as hell loved it. Shortly after that, he put out his only album “The Fabulous Chi Ali” that received a little buzz here and there but, mostly, no one really gave a shit. I’d imagine listening to a whole album of a squeaky voiced child rapper just was too much for most hip hop heads to handle back then.
His single was a minor success but that was about it.

The unfortunate thing about his debut is that he had crazy beats all over it. Produced almost entirely by the Beatnuts, had those tracks been given to any decent rapper from that era, it would be an album people would still be talking about to this day.
I can’t blame the dude though…he was 14. For a 14 year old, he was a good rapper. However, things changed (literally) right after that when he released two songs as a new man…a man with an adults voice. Things seemed to be on the upswing. One song is the remix above. The other was a remix for his song “Roadrunner” (Titled “The puberty remix).

Unfortunately, right when things started going well for him, he shocked everyone by murdering his sisters boyfriend. He was even on “America’s most wanted”. That’s pretty much where his recording career ended. I was especially surprised cause i had actually sorta met him while in high school. He knew a friend of a friend and, one day after school (this was around 90-91), we briefly hung out. I noticed he was a really shy dude. Like the type who looks at the ground a lot to avoid eye contact. Perhaps he was just not feeling boisterous that day or whatever but he certainly didn’t seem like a murderer.

Whatever the case, he served a 12 year sentence and is out now. It’s kinda ironic cause had this taken place ten years later, he might have gotten tons of street cred from killing someone and, perhaps, it would have even helped his career. Bad timing , I suppose.
As for his current status, I have no clue what he’s up to but, hey, I wish him the best.

Song of the day 2/15/13 RIP Tim Dog Edition

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Dog’s gonna getcha By Tim Dog
http://www.divshare.com/download/23730717-c48
The first time I heard Tim Dog was on the Ultramagnetic MC’s song “A Chorus Line”.

I honestly didn’t think much of him. Little did I know I was listening to someone who’s music would become a major part of my life a few short years later.
Explaining why I love Tim Dog to , say, a rap purist isn’t easy. I mean, let’s be honest, part of the reason he was so awesome is cause of how he walked the line between being the most thugged out man on the planet and being completely ridiculous. He was hilarious both on purpose and by mistake.
My second taste of Tim Dog would be the same one most people of that era had of him. It was the NWA diss song “Fuck Compton”. It kinda came out of nowhere. Prior to that, I don’t recall anyone in NYC having an issue with NWA (and the rest of the west coast for that matter). But, I guess Tim Dog was sick of west coast gangster rap getting all the publicity when there was plenty of hardcore New York shit going on under the radar. So, he said fuck it, and made this:

I mean, how awesome was that? The video. The song. Just perfect. He was basically like a mono syllabic bully who just started wailing on his opponent. It just worked.

Now, during that time, I lived a few blocks away for a record store that always got advanced releases. In particular, they would get anything that came out on Columbia Records like 2 months before it dropped in stores. One day I was perusing their cassette section (this was back when i only bought cassettes) and saw Tim Dog’s Album “Penicillin on Wax” just sitting there. Not only had it not been released yet but it hadn’t even been reviewed by the source. It was like it didn’t even exist yet and I was discovering it. I bought it for five bucks and went home. Life was never the same.

To say this is one of the best albums of all time is a stretch. Cause, “best”, i feel, should be saved for works of genius. However, without pause , I will tell you this is one of my favorite albums ever made. It bought me so much joy for so long. To this day, if 85% of these songs pop on anywhere (which is rare), I’ll rap along like a lunatic with a deranged smile on my face. The album is the perfect blend of hilarity, fear and craziness all set over a collection of beats seemingly touched by lord baby jesus/buddah/allah. I mean, for christ sake, the dude started his whole album rocking over the same beat NWA did to start of their album just as a fuck you…So good.

While his follow up album didn’t really match up, he still put a few things out over the next 10 years or so. One of the more slept on things he did later in his career was his album with Kool Keith called “Ultra”. On the song “The industry is wack” I think his verse is legit awesome. Not even in the slightest , ironic way…he kills it. The words “You used to wear tims now your ass is in tights” still rings true to this very day. The man was a prophet.

Well, anyway, yesterday I got home to see twitter a buzz about the passing of Tim Dog due to complications with Diabetes. Honestly, I was shocked as I had no idea he was even sick. The most recent thing I had heard/seen about him was a piece on Dateline about him ripping off lonely women. While this is something that was obviously not a good thing, it did somewhat support the Tim Dog Legacy as a fairly ill , fucked up dude.
The first person I saw mentioning it was, of course, J-Zone. Zone may be the only person I’ve ever come in contact with who has more passion for “Penicillin on wax” and TIm Dog in general than myself. In fact, he wrote a piece on him that I feel is pretty much the end all of understanding the man himself, Tim Dog. So, instead of me just re-writing a version of what he wrote, just peep this link. Aside from getting your learn on, Zone is a funny ass writer with a very unique perspective.
http://www.egotripland.com/j-zones-tim-dog-appreciation-post/

As for the song of the day? In honor of TIm Dog, there can only be one song that exemplifies his legend. That song? “Dog’s gonna getcha”. The same song that I’m somehow quoted on Tim Dog’s Wikipedia page as calling “Quite possibly The hardest song ever made”. Btw, No clue how I got in his wiki page but , obviously, it’s a huge honor.
RIP Tim Dog.
I suggest you all cuddle up with a copy of “Penicillin on wax” as soon as you can and just let the greatness wash over you.

Song of the day 2/1/13

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Give’em Hell By Prodigy and The Alchemist
http://www.divshare.com/download/23662859-d1e
I won’t lie. There are very few old rappers out there still making music effectively. All my heroes have, for the most part, stopped delivering over a decade ago. So, when one of them beats the odds, it feels good.
In the case of Prodigy, he fought off irrelevance simply by not giving a fuck. It also doesn’t hurt that he linked up with The Alchemist, who also seems to be having a career renaissance.
This song is from their up coming album “Albert Einstein” and it succeeds cause they simply just did what they do. Nothing wrong with that at all.