Helllloooo guyz. Welcome to another edition of “Questions for answers”. You ask, I answer. Simple. If you’d like to ask me anything, go for it. Email questions to me at email@example.com or leave them in the comment section below. Just try your best and be creative. If your question feels like something everyone would ask me, skip it and gimmie something I can work with. The more weird, the better.
Let’s get into this weeks batch…
not that it’s your fault or anything, but I seem to have reached a place of musical despair. I’ve been playing most of my life, and been listening to Hip-Hop for over 10 years. I play more than 5 instruments, make beats on my MPC 1000, sing, and freestyle. I know I’m good, and I love the music I create. Yet certain life events over the course of the past few years (namely heartbreak and being chronically underemployed broke, and depressed) have left such a bad taste in my spiritual mouth that it’s even soured the once-sweet flavor of creating music! Despite my best efforts, practicing or even just making music for the hell of it seems like some awful drudgery that I never have time for. Have you ever encountered this type of roadblock and if so, how were you able to get past it and rekindle the flame?
I just wanted to point out that “listening to hip hop for ten years” cracked me up…Since 2004!!??! Whoa bro!, you’re a veteran in this shit!
I’m so old. Jesus.
I’ve always felt creativity goes in waves. I’ve certainly hit walls where the last thing i wanted to do was turn on my sampler and make a beat. Then, a month later, I’m feverishly making 4 beats a day. A lot of times , being around certain people will kick start you back up. Seeing someone be creative around me , often makes me wanna get back in the lab just off the basis of their passion for what they’re doing. Or, Sometimes, I’ll come back off tour and just really wanna create new shit.
I would say “Don’t force it” but, honestly, sometimes you gotta just start making some bullshit just the get the ball rolling again.
I’d imagine it’s like getting into an exercise routine. At first, it’s gonna suck but eventually you’ll get in the swing of things and need to do it like your life depended on it.
All that said if you lose the passion, you lose the passion. It sounds to me like other things in life are getting you down and it’s just reverberating into your desire to make music. Maybe you need to get the rest of your life back on track before you can really focus on making new music. Some would take that pain and sadness and apply it to their music but we’re all different so, you know, just do what works for you.
I enjoyed you giving away the free music the other day. I was pleasantly surprised to notice you’d done production for some early Mac Lethal stuff. Being a fan of you both, it was cool to check that stuff out. Did you produce anything else for Mac Lethal? Were you hanging out in the same place, or was the collaboration done long distance? How did those sessions come about, and are you actual friends in real life? Do you still listen to him, and do you like his youtube stuff and newer music? Like, if he plays a show in NYC, do you try to check it out? Would you still be down to work with him, if he hit you up? Just wondering. Also, who else would you really like to produce for, if it were up to you? Doomtree? Jean Grae? Riff Raff? Mainstream, more commercially viable rappers? I know this is on some rap-nerd shit, and maybe the type of questions that you’ve answered too much or annoy you, but I’d be interested in hearing your answers.
I worked with Mac back in the early 2000’s. We met over email and he bought two beats from me. That was all we ever did though. I’ve met him in person once (at scribble jam in 2001 or 2002, I forget). The collabo was done entirely via mail and email.
I’ve been peeping his youtube vids for a while and it seems things are going really well for him, which is cool. He’s always been a nice dude and working with him was fun. I would work with him again for sure , if he hollered.
As for other rappers I would produce for…there are tons. Pretty much anyone I’m listening to at the moment. Underground rappers like Michael Christmas, homeboy Sandman, Your Old droog, Ratking, Shirt, Vince Staples, Earl etc…
On a more mainstream level, I’d love to do some shit with Gunplay (it’ll never happen but that would be awesome), Freddie Gibbs, Pusha T and Mystikal.
So you’re deserted on an island, who would you rather be stranded with: Mila Kunis, Bob Saget (he has an iPod that never dies and has eversong ever on it), or Bill O’reilly and his family (Bill can hunt with his hands like no other)?
Mila Kunis by a landslide. How is this even a question?
I think, if I were stranded on an island, my desire to survive would overtake my desire to hear music. Also, Saget is fucking annoying and not funny at all.Making small talk with him for years and trying to play the music I wanna hear would be worse than sitting in silence.
And, clearly, even if he’s a great hunter, ain’t nobody trying to hang with the Bill O’reilly family.
I’m sure Mila and I would figure something out. Or not…and We’d die but, hey, maybe that’s better than living on a deserted island for the rest of my life.
This is an elaborate confession leading up to a simple question: I am a grown man and I piss sitting down about 90% of the time. Here’s my reasons/explanation for how this came to be: (1) I am almost 6’5″so it’s a long way down which requires more clean up than your average man, I’ve lived with a few women in my life and they tend to complain if there’s a mess (2) I drink really heavily and nightly I always have, this contributes to the first problem as my aim is impaired so there’s more clean up, also by the end of the night standing for an extended period of time can be a chore in itself (3) I HATE using public urinals, even when I’m drunk there’s nothing more uncomfortable than standing a foot away from another dude with our dicks out and it’s completely silent. I think all public restrooms should have Slayer blasting. (that would also help me out as I’m not really into listening to dudes taking a shit) So I get what they call “bashful bladder” (which makes it sound extra pussy), I know a lot of dudes get it at the urinals cuz I’ve even done the stand off/game of chicken: where I know the dude next to me is having the same problem and he just flushes and leaves without urinating, (boom, I won) now I get to piss in private…shitty game. So I’ll usually use a stall to piss or my favorite is at some of my local bars they have the single bowl ladies’ room with a lock on the door, I usually know everybody so no one gives a fuck, but every once in a while a girl gives me a shitty look when I come out and I’ll make a snarky comment like “sorry, I thought the picture on the door was a dude with baggy shorts.” I’m pretty open about this subject and people in bars even enjoy when I break down why I “pee like a girl.” (being really tall and covered in tattoos add to their amusement I think) So what’s up Block? You ever get bashful with your bodily functions, or are you an “anywhere anytime” guy?
Hmm…If this were about shitting I would understand. Hell, if this was about peeing in those places that the urinals are just troughs I’d be like “No doubt”. But all your reasons for pissing sitting down are kinda weak. I mean, you’re 6’5”. You really think those extra inches of height make it that much more difficult to do what EVERY MAN on earth does? I think the key here is the drinking. You get shit faced and piss all over the place. Every time I’ve walked into a public bathroom and see piss everywhere and wonder “What savage did this?”. You are that guy. Just do people a solid and flip the seat up.
As for the shy bladder thing, I get it. That’s not uncommon. And , really, if you’re more comfortable peeing sitting down, do it. It’s your life. Don’t let me or anyone else tell you how to evacuate your bladder. But, also, accept that people might clown you for it. Whatever though…you’re 6’5” and covered in tattoos. I’m sure people will let it slide just on account of that.
As for me, I can pee anywhere. I’m not crossing streams with bro’s but if there is a urinal or a quiet street and I need to go, I will go. I’m a little more selective with #2’s. Touring has forced my hand a few times but, ideally, I try and not shit in most public bathrooms…cause guys like you are out there pissing all over everything.
You were living in Manhattan during the late 80’s, right? How true to the yuppie culture is American Psycho?
I was but I was also pretty young. Can’t say I was paying much attention to yuppies back then. That said, from what older people have told me, it seems somewhat realistic. I would actually argue it hasn’t changed much except the hedonism is less out in the open. Wall street is still packed with super rich, young assholes who do coke and fuck tons of low life women. The difference is now the clubs and restaurants are different but it’s all the same shit.The dip shits who buy Bottle service at clubs have always existed in some form or another.
on the cover of “Interludes” there is a partially cut-off poster on the wall stage right from the TV set. You can see the letters “ilkins”, a basketball goal, what appears to be half of a car, and then “alley”. Since the artwork seems so specific, is this based on a real poster and if so- on what?
It’s a dominique Wilkins poster from the 80’s and , yes, it was real. He was my favorite basketball player when I was growing up. Hell, he’s to this day my all time favorite player.
Was Forest Crunk meant to be an instrumental song or was it created with the intention of Aesop rapping over it? Can you explain the back story behind it not having any lyrics?
It was just a beat. Aesop was making the Daylight Ep and he wanted an instrumental interlude. My memory is foggy but I feel as though he was working on one of his own and wasn’t liking it. I was sitting on the Forest Crunk beat and played it for him. He liked it and added it to the album. There was definitely never an intention to rap on it though. It was also my first real “instrumental track” I ever made. It was the song that popped the idea in my head that I could maybe make instrumental music.