In case you don’t know, Aesop just dropped his new album “The impossible Kid” on Rhymesayers last week. If you have missed it, you are fucking up cause it’s a really great album and should be ingested by all. You can get it all over the place but, if you’d like the two bonus tracks, I suggest you make the purchase from here: http://fifthelementonline.com/products/aesop-rock-the-impossible-kid
Yes, that’s right…BONUSSSSS. You get “Syrup” featuring Homeboy sandman and Open Mike Eagle as well as this remix i did for the song “Dorks”. That song you can also listen to streaming right here…
Oh hey…while i got you here…figured I’d just throw a bunch of new-ish remixes and random little joints I’ve done that are on my soundcloud page. Why not? Perhaps you missed one or two of these. Better late than never, right?
Two video posts in one day? Why not?
This is big one. Aesop got a new album , “The Impossible kid” dropping soon and he just released a new video for one of my favorite songs on the album. PEEP ITTTTT!!!
For those who don’t know, rapper and friend Open Mike eagle has a really great podcast called “Secret Skin”. On this show, Mike interviews comedians and musicians. Mike has a very nice way of making the conversation feel super casual yet music nerd friendly at the same time. I did the show a while back and had a great time:
This week, he got Aesop in there and it’s awesome. While you may have read Aesop interviews here and there, I believe this is his first real podcast (I could be wrong about that). Not just that, but it’s more than an interview as the typically private guy discusses things that he generally has kept to himself over the years. If you’re an Aesop fan, this will be your shit. Not just for the personal stuff, but also a look behind the curtain at his musical process.
So, my old friend and former Party Fun action Committee partner , Jeremy Gibson, has been doing a character known as Sir Jarlsberg for a while now. If you’re unfamiliar, it’s hard to explain. He’s a rapper/minstrel/entertainer from the days of yore. He raps about things like going to the market, the beauty of rivers and various dance steps. His first album , “Hark thou” was pretty much the “Low end Theory” of Medieval hip hop. His new album “Come Hither”, drops in a few weeks and he just leaked a song off it. This song…wow. I can honestly say not rap posse cut has ever featured such a wide variety of talent. Aside from his rapping chums (Dj Forlorn Maiden, Mingus, Sir Richard, and The Steed this song also features the likes of Lateef the Tru Speaker (Lateef), me (as the gnome), Aesop rock, Kimya Dawson , Baby Dayliner and Jeremy’s father Jon Gibson (who is a highly regarded wind instrument player who’s played with Philip glass and others for years). That’s a pretty fucking crazy line up.
Also, I did the beat and it’s silly as fuck. So, check it out…
I’d also say that, if you live in the NYC area, come see Jarlsberg’s live show cause it’s absolutely insane. I’m serious. It’s impossible to not have fun. It’s at Union pool in BK on October 29th.
If you’re curiosity is peaked, check out some older videos/music of Sir Jarlsberg’s right here:
Last week, Marq Spekt and I released our album “Justplaywitit” on Hipnott Records.I had mentioned a bonus track coming down the pipe featuring some special guests.
I told you it was coming! So, here’s a little extra treat. In all honesty, this wasn’t even a bonus track that we left off the album. Nope. It was a song specifically made to give to you guys after “Playwitit”dropped.
You can download it from the soundcloud page but, just in case, here’s an alternate link:
Also, While I got you hear, my boys Armand Hammer (Billy Woods and Elucid) dropped a new EP today called “Furtive Moments”. I did a track on there , as well as the bonus track on the vinyl.
Check it out:
Bold By Aesop Rock, Rob Sonic, Busdriver and James Lynch
I haven’t done a “Song of the day” in ages cause, well, I’ve pretty much given you guys all the music I own at this point. So, every now and then, a song pops up that I forgot about or slept on that needs to be shared.
This song, in particular, is one that Aesop, Rob Sonic and Busdriver made while on the tour. I could be wrong but I think it may have been recorded on garage band. Aesop gave it a way a while back on his website 900bats.
This one is kinda special to me cause it touches on something that any old rap fan can relate to. Getting old in hip hop. Not just that, but looking back at it asa formerly “cutting edge” type artist who is now earing his 40’s. As one of these people, I can say there is an undeniable balancing act we must do to keep to our roots while staying open minded enough to stay relevant. Some pull it off better than others.
When dealing with extremes, tt usually goes one of two ways.
1)The old rap fan who just hates everything new. Complain about how it’s not like it used to be and that everything is “soft”.
2)The old rap fan who breaks their back to stay up on the new rap trends. So much to the point that they end up championing some shit they probably would have loathed 4 years earlier.
I fashion myself somewhere in the middle. I like a lot of new rap and have for some time but I still scratch my head at some of the shit people lose their minds over nowadays. At the same time, I also have very little interest in revival rap that just re-creates the stuff I listened to when I was coming up. It’s a lot like when musicians go into studios and attempt to make funk music that sounds like it was made in the 70’s. When they pull it off, it’s great but , most of the time, it’s just a copy cat act.
The problem with getting old while hip hop stays young is that you do start to see a distance form between you and the current music. I try and be rational about it. I swear. As beats have gone from samples and breaks to blips and bleeps with some weak 808 kit beneath it, against all I believe in sonically, I’d attempted to keep an open mind. Sometimes, this has been to great benefit with acts like Sparkmaster Tape. After all, it’s music. Sometimes it takes, sometimes it doesn’t. But, to age like this, there is an inherent fear that the ship is leaving you behind at all times. Thing is, while i don’t wanna be that “old dude shaking my fist at the new bold youth”, I also don’t wanna be that guy that pretends to like something I know is not for me. Music is about a feeling you get. That’s not something you can force when it comes to what you like and dislike. As much as i wanna be able to be playing ball at the YMCA and relate to the 17 year olds telling me J-Cole is a genius, it’s just never gonna happen. But, you know what? Those kids call me “sir” and “mister” anyway so who the fuck am I trying to relate to in the first place? I’m literally as old as some of their dads. That said, i bet their dads and I could talk about hip hop for days but I digress…
I think the right way to be an old dude in hip hop is to both embrace your past but don’t be so willing to shut down everything cause it’s new and different. The same shit I think about someone like Young Thug (I don’t get it…at all) is probably what the generation before me thought of Company Flow and the generation before that thought of De la soul. Part of getting old is that you’re literally getting old. There’s no way to stay on point with the youth culture when you’re so far removed from it. unless, of course, you wanna be THAT kinda old dude…
Turns out, Aesop and I had another lost song laying around. Who knew? Turns out, it’s kinda fun. It’s a song called “Try not to die” and it’s from around 2000. Pre-labor days/post Float era.
While I can see why we never released it, it’s definitely something I feel fans of Aesop will be into.
Check it out over at Aesop’s website 900Bats.com
It’s streaming and you can download it.