G’day mates! Welcome to another edition of “answers for questions”. You ask stuff and I do my best to give you answers. I’m always in need of new questions so don’t be shy and fire away. You can either email me questions at email@example.com or leave then in the comment section below. All i ask is be creative…and weird. It makes it more enjoyable to read and write.
This weeks batch is…educational? kinda sorta.
What do you think of the much-discussed gender binary? Do you believe in masculine and feminine principles, and that rebelling against them is subversive, or attractive?
You must think I’m much smarter than I am or that I read books or something cause I’m not aware of the “much discussed gender binary”…but lemme google that right now…hold please.
Okay…I’m back. Ah…that’s more simple than I expected. I see the word “binary” next to gender and expect to have to figure out equations on dicks and vaginas.
I think it’s become a whole lot of grey area. Just listening to high school kids talk, hearing a 15 year old boy say he’s gender fluid is something that would never have even been thought of 15 years ago. I feel like I’ve discussed this here before but it’s almost as if to simply be a boring straight person is looked upon as lame. Which is obviously a huge shift from how things used to be. I partially don’t believe most of these people are even that “fluid”. Like, the majority of them will date and marry people from the opposite sex and outside of an experimental experience here and there, they’re straight. It’s good that the world is finally caring less about such things cause being persecuted or judged based on who you fuck is ridiculous (assuming both parties are willing and adults) but it’s also in our nature to front. That said, teenagers are gonna do what they do and who’s dumber than they are? No one.
As for the whole idea masculine and feminine principals, that’s changing too. It’s as if both sexes are taking notes from each other with hopes of maybe meeting in the middle. That said, i do think certain things are engrained in our DNA. Men and women are undeniably different. To pretend that isn’t the case is short sighted and not really healthy for opening a healthy dialogue. We, in general, feel and act differently. There’s nothing wrong with that though. One isn’t better or worse than the other. At the same time, it’s not like one day, a new generation of men are going to wake up and just all of a sudden be driven by emotions and deep feeling and women are gonna wake up driven by simplicity and logic. I’m not saying any of those characteristics are specific to either sex but, in general, it seems to be thats the way things lean.
i honestly don’t even know if I answered you question but it seems more like something someone should write a thesis on than I can wrap up in two paragraphs.
how important was “The Music Scene” animated video to your success at the time it came out? I understand it aired on adultswim for a while. Did you have any input on what the animation depicted? It’s a really brilliant video and it’s always the first thing I show anyone who doesn’t recognize your music; the pairing of a dope song with super interesting visuals is something to behold.
I would say that video revived my career. Not like I was floundering and gonna quit before it came out but it reinvigorated interest in what I was doing. Prior to that I was “The guy who made the beat for “daylight” by Aesop” or “The guy who made insomniac olympics”. Both those things were good to have under my belt but they also were from years earlier. When “The music scene” video came out, people freaked out over it. Rightfully so…it’s an insane video. But it also got people looking into my other work and , around that same time, i started booking more tours. All of a sudden, I had new fans (younger fans too) and I would close my set with “The Music Scene”, where as it was always “insomniac olympics” before that. So, yeah…it was a huge deal for me and to this day it resonates. I have someone mention that video to me at every show I do. It’s become a starter point for people to find out about my music.
As for input on the video itself, I had nothing to do with anything. That was all the artist. Which is fine with me. He did a great job and my two cents wouldn’t have helped him at all.
do you watch any cartoons or animated films you’d recommend? I feel like you would have good taste in adult cartoons. Maybe its just a weird assumption.
ehhhhh…I watch some things here and there but I’m not really a guy who seeks it out. Like, outside of South park, there’s no animated show I watch with regularity. I check on Adult Swim stuff sometimes but even that is rare. I’m skeptical of cartoons for some reason and , generally, have to be won over for me to get into them. Even when they’re good (bob’s burgers, archer) I don’t find myself compelled to watch them. Dunno why.
With NYC’s massive gentrification, are there neighborhoods in any of the boroughs that you would not go to because of imminent danger/crime/etc?
Sure. I would avoid going to brownsville or east New york in BK. I wouldn’t go to multiple parts of the Bronx. I’m sure queens got some areas I’d avoid. That said, I’m an adult and that kind of shit doesn’t scare me like it did when I was a teenager. I’ve walked through and hung out in many fucked up hoods in my life…in and outside of NYC. I still felt safer in most of those places than i do when I’m in the woods in the middle of nowhere.
Thing is, there would never be a reason for me to go to any of those places in the first place. Honestly, that’s something that hasn’t changed with all the gentrification. The shitty hoods have always been shitty but they’ve also been removed in the sense that no outsiders really ever need to be in them. The dangerous areas that I went to when I was younger were fringe places. They were the places in the midst of being gentrified. Like , when i was a teenager, the lower east side was fucked up. But I still went there cause there was a reason to go (buy weed, bars, shows). So , that in itself shows the hood was changing. It was dangerous but not so much that I’d be scared to go there.
I wouldn’t have set foot in bed-stuy, BK ten years ago but I recorded my last album there. It’s all about having a reason to be somewhere.
I always love the feeling of nostalgia from listening music that I enjoyed in the past, but I’m curious to know if an artist could get the same feeling from there own music. Are there any of your past projects that envoke a sense of nostalgia when you listen to them? That is of course if you even listen to any of your own music in the first place.
I’m so sick of my own old music it’s not even funny. I pretty much never listen to any of it. I listen to the new shit I’m working on as a means to figure out what I’m gonna do with it but the old stuff? Not often. Every now and then I’ll have a moment where I check out some song I made 10 years ago just out of curiosity. Sometimes it makes me roll my eyes, other times I listen and think “man, how did I do that?”.
One thing that I definitely do is focus on the more obscure songs. Like if I never hear anything from “Music by cavelight” again, I’d be thrilled. But I’ll dig into weird album cuts off “Downtown science” or “Uncle Tony’s coloring book” just to remind myself of where my head was at musically at that point.
But, in general, nope. I don’t go back to my old work. I’d rather move forward than bask in the old shit.
When you drink, do you fill your cheeks and swallow several times, take big gulps, or small sips with small swallows?
It depends what I’m drinking. If it’s water, I take big gulps. If it’s carbonated I will sometimes fill my cheeks. If it’s got booze in it, I take smaller sips. You could say I’m a versatile drinker.
Just curious how the song “Cook It Up” came about, with you and Jer singing. It’s really good!
Oh man…that song. Well, when Aesop was making “Bazooka tooth” I believe “Party Fun action Committee” was already out…or had just dropped. We sang a lot on that and I think Aesop wanted some weird singing on his album. Thing is, neither jer nor I are serious singers. We’re passably okay at best. I forgot about this until recently but Aesop unearthed some demos from that era and played me a song I sang a hook on that I have no recollection of ever even recording. Sufficed to say, it was awful and thank god it never made his album.
Anyway, “Cook it up” seemed like the perfect place for our vocals cause the song was kinda tongue in cheek and I made the beat. During that time, the Neptunes were singing on everything so my performance was clearly an homage to that whole style of falsetto. I think Aesop wrote the lyrics. I may have helped with a word or two but I don’t really recall. But, yeah, we recorded it and that was that. It helped launch my singing career for sure. You might know me by my stage name “Bruno Mars”.